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Ed Stivender
Ed Stivender was interviewed by Charlotte Blake-Alston and Adam Booth on December 21, 2024 at MelodyVision Studios in Plymouth Meeting, PA.
Citation: Storytelling Resource Place, “Ed Stivender Interview,” Storytellers’ Legacy Project, date accessed (today's date), https://www.ourslp.org/ed-stivender.
You can listen to Ed’s video start to finish—or use this list of time markers and quotations to fast forward to those locations in the video: 5:27 – “[In third grade] I was put on stage before people I didn’t know. At the end of my performance, I heard applause and ever since that day it has been my drug of choice.” 8:15 – “Humor was the best defense against bullying…the bully had realized I had more power than him and the power was witty words.” 12:07 – “My mom wanted me to be a priest. My father said, ‘Eddie, you don’t want to get a job where you have to wear a dress to work’.” 29:19 – “The banjo has always been a part of my opening act…”. 31:34 – A crying baby is an example of a technical difficulty on the stage to which I always respond.” 32:03 – “Having your audience believe that you are in control is a very important aspect of solo performance.” 34:04 – “I don’t bow to authority unless it looks rational…I like to play with that line between good taste and horror in ways which I enjoy and the audience might enjoy.” 35:51 – “[It is] the sweetest aspect of what I do – to hit down that middle and entertain people on both sides of an issue.” 38:00 – On the role of the storyteller in responding to the issues of the day: “My main interest in coming onstage and doing a presentation is to give the audience a break; a break from whatever it is that is bothering them. if I can make fun of if I can make fun of the issues, that gives them a break and that’s good.” 38:25 – “I very rarely try to influence an audience to think a certain way or to act a certain way, in a political way.” 41:17 – “Structure is the main thing I am interested in in general. When I see another storyteller, I love to watch the structure.” 41:34 – “The beauty of doing improv storytelling is that there is a structure already there to play with.” 45:43 – On giving feedback: “I think it’s important to support good work and support good work with specifics.” 52:21 – “I think the relationship between a solo teller and the audience is not only oral/words and aural/hearing, but pheromonal. Storytelling is a sharing of endocrinological and pheromonal information between the audience and each other and the storyteller and the audience. Zoom ain’t got no pheromones.” 102:16 – “I think that the local storytelling community groups that rehearse with each other, then do shows…is part of the secret of storytelling going forward…” 106:04 – Ed gives credit to storytelling event producers 108:27 – – Ed sings his original song in tribute to the Armed Forces and to sharing ‘a story or two’ at the National Storytelling Festival




About:
Since 1977, when he left his day job as a high school teacher in Connecticut and turned to storytelling full-time, Ed has fabulated his way around the globe --appearing in schools, churches, coffeehouses and theaters, as well as at major storytelling festivals. He has been a featured performer at the National Storytelling Festival, the Cape Clear Island International Storytelling Festival in Ireland, Graz Festival, Austria and our own Philadelphia Folk Festival. Ed has enjoyed narrating “Paddington Bears Special Day” with the Harrisburg Symphony, “Ferdinand the Bull” with a violinist for the Philadelphia Orchestra, and “Peter and the Wolf” with the LaGrange Symphony.
Learn more about Ed Stivender's work below, and see where he's performing next, at his website, www.edstivender.com
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